Tabletop Gaming Feeds

DIRECT SALE: American Gryphon Cryptkins: Series 2 Vinyl Figure

Cryptozoic - Thu, 05/16/2019 - 16:59

What's more American than an eagle? A creature who is part-eagle, part-lion, and (almost inexplicably) part-American flag! American Gryphon is a variant of the Gryphon Cryptkins: Series 2 vinyl figure and is a Cryptozoic Exclusive, only available on the Cryptozoic eStore while supplies last!

Categories: Tabletop Gaming Blogs

Watchers & Night - An Adventure Encounter For Mutant Future or Any Old School Post Apocalyptic Campaigns

Swords & Stitchery - Wed, 05/15/2019 - 18:05
 The desert town of Joshua is post apocalyptic trading paradise on the edge of the former site of the ultra secret military base under Joshua Tree National Park. The town has  one of the last working space ports on Earth. Each early  morning at sunrise  a trio of dark humanoid shapes watches over the town.  One would think that a working space port would be the target for every single local Needleshttp://www.blogger.com/profile/11243274667834930867noreply@blogger.com0
Categories: Tabletop Gaming Blogs

The Tower of Zenopus in Ghosts of Saltmarsh

Zenopus Archives - Wed, 05/15/2019 - 14:16
Ghosts of Saltmarsh alternate cover by N.C. Winters. I like this one more.
Way back in the mists of 2006, on Dragonsfoot I wrote that:
Another dungeon that could be fit into such a combined setting would be the Zenopus dungeon in the Holmes basic book. It's set in Portown on the coast and also has pirates/sea caves, so I've often thought of having Portown and Saltmarsh be the same. Neither town is described, though, so Restenford could be used for details. (Though I guess it could be a bit much to have one small town with both a haunted house and a ruined wizard's tower.)I'm certainly not the only one who has had the idea of merging Portown and Saltmarsh. The similar coastal setting and lack of a full description for either town make them a natural fit. While Saltmarsh being described as a "small south-coast English fishing town of the 14th Century and with a population about 2,000" does feel smaller than Portown, a "small but busy city linking the caravan routes from the south to the merchant ships" plying the Northern Sea, it's still an easy merge for the DM building a coastal sandbox setting. In fact, I have run each of these adventures in the last few years in my kids game, and while I kept Saltmarsh separate, I still had it nearby on the same coast as Portown.

Now the Wizards of the Coast have themselves taken advantage of this. Yesterday an eagle-eyed member of the Holmes Basic community over on MeWe, Chris H., reported that he'd spotted the Tower of Zenopus in a flip-thru review of the forthcoming Ghosts of Saltmarsh...! This is the latest hardcover 5E adventure from WOTC, a compilation of conversions of the original AD&D modules U1 The Sinister Secret of Saltmarsh*, U2 The Danger at Dunwater, and U3 The Final Enemy** (the pdfs are also available as a discounted bundle), plus four later adventures from Dungeon magazine.

In addition to the obvious similarities between Portown and Saltmarsh, I'm also not surprised to see Zenopus turn up in this product because Mike Mearls is credited as one of the co-Lead Designers (along with Kate Welch, interviewed here), and he ran a Return to the Tower of Zenopus this past March at Gary Con, and also tweeted this map, so it was certainly on his radar at the right time.

After looking into the previews myself, the area map for Saltmarsh shows the town on the mouth of a river emptying into the Azure Sea. Yes, that's right, they've preserved the Greyhawk location names from the originals! Across this river on a peninsula is a location marked "Tower of Zenopus". Per the map compass, this places the tower generally to the west of Saltmarsh, which fits with Holmes' original description (albeit without an intervening river). The U1 Haunted House is in the other direction along the coast, east of Saltmarsh. 

On the page facing this map is a four-paragraph section titled "Tower of Zenopus", which gives the background for the location --- condensed from the original --- and some brief ideas for encounters found therein. It's much more of an adventure hook than a fleshed out location, and it acknowledges as much by concluding that the details are left for the DM to determine. It would be fairly simple to use a direct 5E conversion of the original dungeon (perhaps adapting my list of Portown rumors to get the PCs over there?). 

As far as I can recall, this is the first time TSR or Wizards has recycled any of the Zenopus content in a later product, and also the first time it has been officially placed in Greyhawk. Also significant is that they've titled it the "Tower of Zenopus", as over the years this has been the most frequently used colloquial name for the originally unnamed adventure. In the new version, just the like original, the tower is a complete ruin and the actual adventure is in the dungeons beneath. As I've written before, this follows the naming convention of Castle Greyhawk, where the dungeons are referred to by the name of the ruined edifice. 

In addition to the Azure Sea, the area map also includes the Hool Marshes to the east of Saltmarsh and the Dreadwood to north, clearly placing it on the original Darlene map from the World of Greyhawk folio or boxed set. Also, the "Geographic Features" section following the Tower of Zenopus mentions the "Kingdom of Keoland", a location going all the way back to the proto-Greyhawk Great Kingdom map.

After some further delving, I realized that this area map in Ghosts of Saltmarsh is simply a direct update of the area map from U2 Danger at Dunwater. All of the major geographical features and even the hexes lines on the map match the placement on the original. 
The original even gave hex numbers for the World of Greyhawk map, with Saltmarsh being located in hex U4-123. So while the new adventure may not be specifically identified as being in Greyhawk, it is easily placeable and usable with that campaign world.

In the image below I've annotated the original U2 map with the new location for the Tower:




*All Drivethrurpg links include my affiliate number.

**I've long suspected that this title is a sneaky pun (spoiler: The Enemy with Fins; i.e. the Sahuagin). I even asked Gygax about it once on DF, and while he claimed no knowledge, we did exchange some fintastic puns.
Categories: Tabletop Gaming Blogs

(5e) Krillo’s Tomb

Ten Foot Pole - Wed, 05/15/2019 - 11:14
By John Heffernan Island of Bees 5e Level 3

The adventurers are hired to enter into a catacomb to discover the treasures inside before a rival faction of thieves can get there first. Their employer, a goblin named Krillo, offers them all of the treasure that they find inside, and only asks to keep the relics and magic items. Can the heroes enter into Krillo’s Tomb and escape with their lives? There’s only one way to find out!

Yeah yeah, 5e on a Wednesday. My raging against the entropy is less successful than usual and I’m behind. I’ll do some OSR on Saturday.

I’m an open-minded person not an ossified old man. I’m an open-minded person not an ossified old man. I’m an open-minded person not an ossified old man.

This 34 page adventure has six “scenes” that compose the dungeon exploration. The core adventure is on about fourteen pages with the rest being pre-gens and a dwarven runic language treatise, as well as rules for a Stealth minigame. It’s not all together terrible for a newer game, but it is rather boring, with an emphasis on mechanics rather than en evocative environment. IF it were evocative then it would be a fairly normal 5e adventure. IE: straightforward.

Bob the goblin hires you, for 100gp, to go loot a tomb. He wants the magic and you keep the loot. Seems there’s a mercenary company of archeologists (!) on their way soon and he wants to loot the place before they arrive. He’ll give you 100 more gold if you do it non-violently! Yes, you have to stretch for the pretext. Yes, the nonviolence thing is fucking weird. Yes the tomb is strangely devoid of cash, you might get 300gp more in the tomb. For the sake of my own sanity I’m going to ignore all of that.

The scene thing is WEIRD. It’s like little set pieces. In scene one you are trying to sneak past the guards outside the tomb. There’s a little map with things to hide behind, and rules for sneaking and guards being on alert and spotting you. There are notes about the guards being helpful, and how they get annoyed and call for help. I’ve never played Metal Gear, but I suspect the designer has. This is straight out of “the stealth level’ in every video game every game that has one. It takes a page of text to describe the scene, ? to repeat the stealth rules in the appendix, ? to describe the general guard attitude, ? for the stat block, ? for the aftermath and seven sentences to describe where the seven guards are. Likewise for a mummy chase scene. It feels videogamey, with the blind mummy jumping from platform to platform and the party trying to be quiet. Not exactly a bad idea, but the focus on mechanics makes it feel like a videogame rather than a living breathing D&D adventure.

And it’s all written in this weirdly abstracted/generalized text style. “The north half of the left room has an altar in the center with an imprint of a laying dwarf carved in the center. Stone tables are covered with rolls of fresh bandages, and a series of empty clay jars. The roof is domed and covered with stone spikes that jet out.” Very fact based text. And that’s true of every encounter. In fact, A LOT of the encounters are like weird Grimtooth traps you’re trying to navigate, at least the Grimtooth “room” traps. Lots of elements and a convoluted mechanism.

Once of the scenes takes place between two other, when a door opens. While a big door opens a bunch of thieves come out from behind you and start blasting away at you. While the door opens. That’s the scene. Others are more like some weird Grimtooth room that you’re trying to navigate.

And then there’s the dwarf runes mini-game, with the party trying to decipher the runes in the tomb for clues. I’m not opposed to these sorts of things, in fact I think player puzzles can be fun. But this particular one seems more like the dwarven runic language being described and the party trying to figure out the entire thing. I could be wrong about this and it could be fine in AP.

As a Challenge Dungeon or tourney dungeon this might be ok. It’s hard to get past the focus on mechanics though. I wish it were more evocative. That might smooth over the mechanics and make it something to whip out for a D&D tourney.

This is Pay What You Want at DriveThru, with a suggest price of $3. The preview is eight pages long and a good one, showing you the first three scenes. This includes the “sneak past the guards” scene, a “dungeon exploring” scene, and the thief/elf-bandit attack scene. Elf bandits attacking. Thematically, modern D&D is missing something.

https://www.drivethrurpg.com/product/275492/Krillos-Tomb?1892600

Categories: Tabletop Gaming Blogs

Wednesday Comics: Marvel's Planet of the Apes

Sorcerer's Skull - Wed, 05/15/2019 - 11:00
The Planet of the Apes film series ended with a whimper rather than a bang with 1973's Battle for the Planet of the Apes, but it was followed by a 1974 TV series that was likely the catalyst for Marvel Comics licensed adventures. The color series, Adventures on the Planet of the Apes only lasted 11 issues. It began with a colorized adaptation of the first film, reprinted from the more successful series the black and white Curtis Magazine title, Planet of the Apes.

Doug Moench was the only writer, working with a rotating cadre of artists, including Mike Ploog and Tom Sutton. The entire film series was adapted with varying degrees of fidelity, but what was more interesting was the new content where Moench's imagination was given freer rein to add to the Apes mythos. There were brains in jars and Middle Ages style jousting apes, coonskin cap wearing frontier apes, and ape mutants riding giant-frogs called Her Majesty's Cannibal Corps.


Boom! Studios has collected the entire run of the magazine series in four hard cover archives, but unfortunately the first volume (at least) is out of print, and tends to be sort of pricey on ebay.

Luckily, the internet comes to your rescue! If you interested in the magazine series, this site will be useful.

False Shape - An Adventure Encounter For Mutant Future or Any Old School Post Apocalyptic Campaigns

Swords & Stitchery - Wed, 05/15/2019 - 06:50
Deep within the California wastelands is the desert town of Joshua built near the wastelands of the former site of the ultra secret military base under Joshua Tree National Park. The small village of Tree sits within the bounds of the wastes & is nothing more then trading post for adventurers searching in the ruins, former out buildings, & abandoned underground hangers scattered in the desert.Needleshttp://www.blogger.com/profile/11243274667834930867noreply@blogger.com0
Categories: Tabletop Gaming Blogs

Dungeon Crawl Classics #79: Frozen In Time by Michael Curtis & Dave Arneson's Blackmoor Connection

Swords & Stitchery - Tue, 05/14/2019 - 16:37
"Eons-old secrets slumber beneath the forbidden Ghost Ice. Since the time of the Elders, the local tribes have shunned the crawling glacier, knowing it as taboo land that slays all who tread its frigid expanse. Now, the Ghost Ice has shattered, revealing hints at deeper mysteries entombed within its icy grasp. Strange machines and wonderful horrors stir beneath the ice…"So I've been doing Needleshttp://www.blogger.com/profile/11243274667834930867noreply@blogger.com0
Categories: Tabletop Gaming Blogs

Lake Geneva Original RPG Campaign: Days of May Sale

Lord of the Green Dragons - Tue, 05/14/2019 - 16:24
Lake Geneva Original RPG Campaign: Days of May Sale: **OYEZ Friends & Fans! If a BARGAIN you seek to make, hurry to DAYS OF MAY SALE . Gold pieces you shall save, on ERKA Standard Edition ...
Categories: Tabletop Gaming Blogs

Lake Geneva Original RPG Campaign: Red Book™ Line--Free PDF MAJOR UPDATE

Lord of the Green Dragons - Tue, 05/14/2019 - 16:23
Lake Geneva Original RPG Campaign: Red Book™ Line--Free PDF MAJOR UPDATE: Three Line Studio has posted a 10 page/1.1 meg PDF file as an Update and Proposed Product Line Map for the Red Book™ Line. Very Exciting! D...
Categories: Tabletop Gaming Blogs

Strong Moral Dilemmas in D&D and the Unwanted Kind that Keeps Appearing

DM David - Tue, 05/14/2019 - 11:14

The best tales climax when the heroes must choose between what they’ve learned is right and an easy route to what they thought they wanted. In fiction, such moral dilemmas reveal character. When a woman who only ever wanted to be queen realizes that someone else is better suited to the throne, will she still take the crown?

Everyone who enjoys games such as Dungeons & Dragons likes making choices and seeing the outcomes. Many of those players also enjoy exploring and revealing their characters. So in roleplaying, moral problems may rank as the most interesting and most revealing. In the Dungeon magazine article, “Temptations and Dilemmas,” printed in issue 148, Wolfgang Baur writes about the joy of posing dilemmas. “They make the player really engage with their characters and the game world. Sweet sweet perfection: all you have to do is let the PCs wrangle about it for a while.”

Creating moral choices in D&D proves harder than creating similar dilemmas in stories. In fiction, moral choices often force characters to pick between what’s right and what’s easy. But D&D characters rarely make decisions alone. They face choices as a party, and these groups inevitably mix rogues and paladins.

More than popular classes, rogues and paladins represent two ways players often imagine their characters’ moral outlooks. These make popular character perspectives because they bring escapes from either the restrictions or the unfairness of modern life.

In our world, we often feel bound by rules and obligations. Playing a rogue who’s free from ethical burdens and who boasts the power to ignore rules feels exhilarating.

In our world, we see misdeeds rewarded, good people suffer, and too often we feel helpless to act. Playing a paladin with the strength to punish wrongdoers, help the deserving, and right wrongs feels rejuvenating.

Choices between right and easy inevitably split a party’s rogues and paladins.

“Assassins, poisoners, sneak thieves, death priests, drug smugglers, necromancers, diabolists, and warlocks make it tough for more heroic, lawful, or good characters to look away or condone their smuggling, sneaking, theft, magical abuses, and so on,” Wolfgang writes. “There’s a dilemma for the party every time a character crosses the line and does something that another, more moral character might find unforgivable.”

In D&D, rogues and paladins must find ways to work together or the game falls apart. “If you wind up with that one paladin singled out and forced to choose to compromise his character just to keep playing, you have a problem.” See A Roleplaying Game Player’s Obligation.

So in D&D, moral dilemmas must avoid posing an unsavory-but-easy solution as an option. Instead these problems must force players to weigh which of two, imperfect choices brings the most benefit—or the least corruption. In “5 Tips on How to Design Diabolical Dilemmas,” Johnn Four imagines starting the party with a simple job to capture a war criminal, and then adds moral complications. What if the players discover that the elderly criminal now repents by running an orphanage? If the players decide to take him to justice, what if they learn that the alleged crimes may have saved a village? Do the players still bring the man to execution? None of these choices make the adventure easier for players, but they all land the players in thorny dilemmas that reveal characters.

Johnn suggests developing moral dilemmas by starting with a simple choice and asking questions that help you imagine complications.

  • Who gets hurt?
  • Who escapes justice?
  • Who undeservedly benefits?

While moral dilemmas benefit the game, you can press too hard to create them. Players enjoy difficult choices in balance with uncomplicated situations where their power lets the good guys win. Often players use their ingenuity to solve a moral dilemma without any tough choices. Players savor those victories.

Even when DMs work to foster moral dilemmas, most D&D games only occasionally feature such situations. But one sort of quandary appears frequently, and it’s awful.

Blame co-creator Gary Gygax and his adventure The Keep on the Borderlands (1979). D&D’s first Basic Set included this adventure, so through the 80s, the keep easily ranked as the game’s most played scenario. In a reprint, D&D creative director Mike Mearls writes, “In its 32 pages, Keep on the Borderlands provides the clearest, most concise definition of D&D that you can find.” The keep showed countless dungeon masters how to create a D&D adventure, and mostly it set a good example.

What awful moral dilemma appears 8 times in this classic?

When Gary wrote the keep, he aimed to create an infestation of D&D’s various evil humanoids: kobolds, orcs, hobgoblins, gnolls, and lizard men. Gary favored applying some natural order to his imaginary world, which included various young monsters incapable of fighting.

After slaughtering the orcs’ parents, do you put their infants to the sword? As a player who favored the paladin type, I wanted to right wrongs, not debate whether to murder young. The rogue-types in the party would open the 1977 Monster Manual and point to the word “evil” beside a pig-faced monster, but I had no taste for the baby-orc dilemma. I want to smite evildoers, not kill helpless foes. I’m far from alone in that sentiment. Worse, young non-combatants appear in 8 of the keep’s locations, and then in the countless adventures that follow the keep’s example.

I recommend contriving situations that leave helpless foes out of reach. Instead of populating the Caves of Chaos with generations of humanoids, why not imagine war parties locked in a standoff?

Even though the baby-orc problem rates as something to avoid, other dilemmas can enrich the game. M.T. Black’s adventure The Lich Queen’s Begotten ends with an interesting variant on the question of whether to kill an innocent destined for evil. Both times I ran this adventure, a party of mixed paladin and rogue types chose to protect the innocent—not necessarily the easier choice. Both groups wanted a follow up adventure where they worked to thwart the innocent creature’s evil destiny.

That’s the sort of choice that makes heroes.

Categories: Tabletop Gaming Blogs

Talking Lovecraft with Zaklog the Great!

Jeffro's Space Gaming Blog - Tue, 05/14/2019 - 04:37

Hey, y’all.

Did this show with Zaklog the Great last Friday. Enjoyed talking Lovecraft and Lord of the Rings and… these obnoxious people that poison your mind until you’d begin to think that your “beloved past had never been.”

Lovecraft writes three times that “there was no hand to hold me back that night I found the ancient track.” After mulling this whole scene over in light of the Boomerclypse we’re in the process of rolling back, I’ve concluded that there was in fact a hand there. The hand of wisdom!

I have stretched out my hand, and no man regarded; But ye have set at nought all my counsel, and would none of my reproof: I also will laugh at your calamity; I will mock when your fear cometh; When your fear cometh as desolation, and your destruction cometh as a whirlwind; when distress and anguish cometh upon you. Then shall they call upon me, but I will not answer; they shall seek me early, but they shall not find me.

There’s a horror story for you. Don’t let it happen to you!

Categories: Tabletop Gaming Blogs

DIY Light-Up DC Teekeez Figures

Cryptozoic - Mon, 05/13/2019 - 20:16

With summer on the horizon, it's the perfect time to create your own Light-Up DC Teekeez!  These glowing collectibles are the ideal decorations to give those warm nights a tropical, fun vibe! You can watch the tutorial video, but also remember to read the full instructions below.  As always, remember to be safe!

 

Categories: Tabletop Gaming Blogs

Monsters & Mayhem - Some Alternative OSR Monster Book Options for Dungeon Crawl Classics

Swords & Stitchery - Mon, 05/13/2019 - 18:48
What happens when your players know every last classic monster in the Monster Manual, Monster Manual II, & even the Fiend Folio? This applies especially when you want to run something different in a retro clone mod like Dungeon Crawl Classics. Never fear we've got some monstrous options. One of the biggest problems lately that I've found with OSR players? They know all of the classic Needleshttp://www.blogger.com/profile/11243274667834930867noreply@blogger.com0
Categories: Tabletop Gaming Blogs

Cult of the Blue Crab

Ten Foot Pole - Mon, 05/13/2019 - 11:17
By Rudolf St Germain Studio St Germain 5e/13th Age Levels 3-4

The small city of Shallow Bay is plagued by a gang of smugglers who sell contraband alcohol and luxury foods to the people. The mayor’s expensive lifestyle has depleted the city coffers and the head of the city guard orders his men to investigate the smugglers and put an end to their activities. Unbeknownst to most, the smugglers are a front for a radical chaotic water cult that wishes to sweep earth free of “the wicked”. The money made with the contraband is intended to buy better equipment and hire powerful allies for an expedition to the lost Temple of the Chaos Elemental. By awakening this ancient evil the cult can take the first steps towards their ultimate goal of destruction and mayhem.

This twenty page adventure, describes, in twelvish pages, some smugglers in a big fishing village and two small dungeons of about six rooms each. A competent but simple adventure, it struggles against its formatting choices and lack of specificity in detail. It’s easier to run than most modern dreck.

When is an adventure a sandbox and when is it just an outline? There’s some point of crossover where the DM is given enough information to improvise further and it’s a sandbox and some place else where the DM needs to add some substantial labour. This adventure is somewhere near the dividing line. You can take this, as written, and run it, with little to no more prep. Given that you can’t do that with most adventures today, this is a not insignificant accomplishment. It correctly provides an environment in which the party can have an adventure. A village. The local fence and a few other town personages. The smuggler base. The dungeon underneath. The OTHER dungeon the smugglers want to get to. The supply ship that drops off goods to smuggle. A rough timeline/events that can happen. Now … go run an adventure. You can do that with what’s written. You can’t do that with most adventures. Then again, it’s also VERY basic. Ask some questions, find the fence, pressure him, ambush smugglers, raid base. A pretty cut and dry adventure formula. If I were forced to choose all of the crappy Adventurers League, DMSguild, and others and their shitty formats, or the one used here, I’d have no problem choosing the format used here. It provides a high level overview of the situation and then answers some questions on how folks will react. I’ll take that ANY day over the overwritten garbage that passes for a modern adventure.

But, it’s also playing fast & free with the abstraction. The town is presented in paragraph form, single column paragraph form, on a page and a half. The event that caused the town to act against the smugglers was boat of tollkeepers getting sunk while they were trying to stop the smugglers. That’s as much detail as you get … besides the adventure noting that the party could follow up on that to determine how far out the smugglers are. Am I’m serious when I say I’m now summarizing what’s in the adventure. I’ve just told you everything it says about the situation in as many words as the adventure uses. Another two sentences about grieviing widows, the name of the boat, and some such would not be out of order for such an important event and potential plot point for the party to follow up on. I’m not looking for two pages, or even one, but SOMETHING about the event IS needed if this is going to be an adventure rather than an adventure outline.

It provides some decent support for escalating the situation, with the smugglers, but not really with the town. So while it tries to be a sandbox it does, by leaving out half the adventure, force a certain point of view: the adventure is with the smugglers and any potential complications with the town are not important. But the journey IS the destination in D&D. Just not in bad D&D …

On top of this is fumbling in several areas. It’s one column presentation is almost always a No No, because of well-known readability issues with that format. The town overviews rely on italics in the paragraph to pick out information; whitespace, bolding or bullets would be better. The cult leader is bad because she was raped as a young woman. It doesn’t dwell on her background, but it’s always weird when things like this are used and called out in otherwise generic-ish adventures. It’s weird tonal shift that doesn’t fit. A water elemental is “bound to her service with a collar. LAME. That’s explaining WHY and justifying things. She’s the leader of an evil water cult, of course she has a water elemental. Likewise the use of Sahuagin mercenaries. A tonal thing that doesn’t quite match with the water cult thing the adventure is trying to do. Sent by the evil water god? Sure. Sahuagun mercs though? That implies some setting that is off putting to me. As is the Satyr that acts as the local fence. Magical RenFaire. Bleech. And then, in this village of 600, five thugs are hired to kill the party. Hmmm, again, a tonal imbalance, I think.  The dungeons, the two of them, are more line “art project” one page dungeons, with some small text blocks pointing to rooms, rather than a traditional room/key format.

Take the usual 5e adventure and rip it apart and try to make it less of a railroad. Get rid of most of the text and just put inthe generic-ish essentials. You’d have this adventure. On one hand it kind of resembles the level/amount of detail I use in my home game; a list on a piece of paper with a few words each and some notes on a map. This takes those home notes and adds a few more words and formats it not as modern dreck but as a sandbox-ish adventure.

It’s going in the right direction. The adventure needs to make wiser formatting decisions and provide a little more detail in almost every area. Then you’d have a basic adventure like you might write up in 30 minutes for a home game/the usual 5e adventure. A little investigation, some sneaking, some hacking, some crazy plans, etc.

This is showing up a Monday because the blurb says it can be OSR, with some specific advice for 5e/13th Age. This means “statless, with stat suggestions for 5e/13th Age.” On the one hand I’m kind of intrigued to see that Generic/Universal label applied to modern games like 3e/5e, and games like 13th Age. On the other hand, I’m saddened to be tricked in to something with an OSR label. Sure, I guess, as a generic adventure, it could be OSR. In the same way that any adventure OUTLINE could be for any game.

This is Pay What You Want at DriveThru with a suggested price of $2. The preview is six pages and gives you a good idea of what you’re getting. The first few pages outline the town/cult, and then one of the locales, where the fence hides out, is presented. This gives you a good idea of the one-pager dungeons to come as well as the kind of abstracted/outline/sandbox that the adventure is. All you’re not seeing is the section on how the cults reacts to various events, etc. IE: a little guidance. A VERY little guidance. Which would be enough if the adventure was more sandbox and less outline.


https://www.drivethrurpg.com/product/274990/Cult-of-the-Blue-Crab?1892600

Categories: Tabletop Gaming Blogs

The Planes of Chaos

Sorcerer's Skull - Mon, 05/13/2019 - 11:00
Discussing cosmogony with an being of chaos, much less a Chaos Lord, is likely to only led to more confusion. Linear logic, causality, even truth, are concepts beings of Chaos find unnecessarily limiting. Turning to their sacred writ (such as there is) will be of little help, either. The Hymn to Perplexity is composed entirely of questions and no answers.

Still, when they choose to, the ancient monsters and angels of Chaos remember the Godhead, the One that encompassed all. It was no more Order than Disorder, no more Constant than Mutable. If there was a Fall, it was Chaos that was indistinguishable in any meaningful way from what came before; It is Law that is the aberration. And even that aberration was born of Chaos.

Limbo is akin to what the multiverse was before Mechanus, before time itself existed. It is primordial soup from which any concept or being might be instantiate.  Chaos did not remain untainted by Law, however. Form, causality and other concepts gave shape to the previously formless. The border regions coalesced into something different.


Arborea is the home of beings who revel in the the gratification of the senses. They seek to woo other souls to throw off the shackles of Law and experience the pleasures of greater freedom. They never coerce beings into accepting their gifts (such would be a violation of freedom), but mortal souls may not be prepared for the experiences they offer.

The sad, dangerous monsters of the Abyss cling only to the concept of Self. The entirety of cosmos is merely an insufferable dream they can never wake up from. They torment or toy with other beings, even other demons, in attempts to exorcise their irritation. They are seldom successful.


Beach Head - A Mutant Future Encounter or A Post Apocalyptic Old School Encounter For Any

Swords & Stitchery - Sun, 05/12/2019 - 20:58
The PC's learn of a haven for mutants,artificials, altered, humans, & peoples  of all stripes  in the deserts  of California. The Ancients state park of Brodie a former ghost town that has been transformed into a seeming heaven on Earth. But there are devils in this heaven & their evil is spreading.  The characters are called to investigate this seeming paradise on Earth. Deep within the Needleshttp://www.blogger.com/profile/11243274667834930867noreply@blogger.com0
Categories: Tabletop Gaming Blogs

Number Crunchin Time (Dollar Edition)

The Splintered Realm - Sun, 05/12/2019 - 15:05
One of the things I wanted to do last month was release a whole bunch of product and see what stuck. I wanted to get a sense of how much interest there was in my stuff. Here's a recap since March 1 for five releases:

Stalwart Age Issue 1 (149 Downloads; $23.60 Gross Sales)
Stalwart Age Issue 2 (96 Downloads; $5.16 Gross Sales)
B1: Dungeon Denizens (181 Downloads; $8.65 Gross Sales)
C1: Trove of Treasures (114 Downloads; $4.00 Gross Sales)
D1: Against the Goblins (96 Downloads; $3.05 Gross Sales)

However, for context, there are two other important figures:

Sentinels of Echo City Deluxe Edition (9 Downloads; $78.11 Gross Sales)
A1: Tales of the Splintered Realm Core Rules (44 Downloads; $3.00 Gross Sales)

It's hard to take away anything concrete here, but there are a few general observations about these trends:

1. The primary purpose of the PWYW supplements is to drive sales of the core rules. Since the core rules for Tales of the Splintered Realm are also PWYW, that breaks the whole model. The benefit of Stalwart Age is not necessarily the sales of those supplements, but the way it drove sales of a game that is over a year old. At this rate, each PWYW release for Sentinels could be reasonably expected to generate 3-5 downloads of that game, which is nothing to scoff at. Making $20-$30 for releasing an 8-10 page supplement is a good business model from my end.

2. Stalwart Age 1 did remarkably well; earning over $20 when none of the other PWYW releases got to $10. That's maybe the first issue effect or something, since sales for 2 were in line with other PWYW releases.

3. The fact that the monster book had twice as many downloads, and over 2x the sales, of the adventure was surprising. I guess that the takeaway is to come out with more monster books than adventures; I didn't expect that, but I suppose that's already the model that D+D pretty much established; core rules sell the most, monster books and player guides second, and adventures in third place. My own small sample shows this trend to be true.

What all this means is that I better get going on Stalwart Age #3... that's in the early stages, but I hope to have it out by the end of the month (so I can still put May on the cover). I have a handful of story ideas for it, but I'm working out long-term plot stuff that will help the unify the whole thing later on a little better.

The Dungeon Crawl Classics Rpg Connection Between DA2 Temple of the Frog By Dave Arneson, David J. Ritchie & The World of Mystara

Swords & Stitchery - Sun, 05/12/2019 - 02:14
"Green Death... That's what old hands call the Great Dismal Swamp. For centuries, this tangled maze of sluggish watercourses, stagnant ponds, and festering marshes has defended Blackmoor's southwestern frontier. Large armies and smaller parties have disappeared altogether inside its vast, dripping, claustrophobic corridors.Among those who have dropped from sigh in this arboral hell is young Needleshttp://www.blogger.com/profile/11243274667834930867noreply@blogger.com0
Categories: Tabletop Gaming Blogs

(5e) The Curse of Lost Memories

Ten Foot Pole - Sat, 05/11/2019 - 11:09
By Christophe Herrbach, Anthony Pacheco
Griffon Lore Games LLC
5e
Level 1

Hey, quick reminder that I have a Patreon. It helps offset the costs of the website and buying adventures. Unlike some, I don’t accept adventures to review; I buy everything I review.

https://www.patreon.com/join/tenfootpole?

In the wealthy Kingdom of Lothmar, hardly anyone remembers the once-powerful Barony of Wailmoor that fell 150-years ago to a terrible demon invasion. But PCs have memories of events that precipitated the fall of Wailmoor, and these memories will haunt them until they travel to the lonely moor and solve the mysteries associated with an old, unstoppable curse. Can the PCs save their minds from going crazy “remembering” events they never lived? And who is the mysterious—creature—that haunts the moor and longs for the embrace of an archangel?

This 218 page adventure is modern storytelling to it’s dying breath. Setting new records in “obfuscation through expansive text”, it’s hard to make out what is going on because of the column long (at least) backstories for everybody and everything in the game world. This is not an adventure. It’s a novelization of an adventure.

Let us examine one of the core mechanics of the adventure: you cannot die. If you die you get rebirthed back at a tree in the central village, with all your stats lowered by one. You can’t go below 8. What, then, would be the purpose of this? Not even in death can you escape the plot of the designer. The plot will go on. And you will be a part of it. Death will not save you. You do get all your stat points back when you level. So, you know …

Clever monkeys will immediately recognize opportunity in this absurdist mechanic. Rebelling against the railroad and lack of agency, let us accept, and in acceptance of our fates find victory, just as in the mystery of the Blue City Lacuna. Take your whole party to stat 8. Charge each combat, doing whatever minimal damage. Finding whatever secrets. Learning the map. Die and reform a thousand times a day. Until, finally, the Storyteller relents and you can wander, freely. The presumption of resurrection abstracted in to a new mechanic. You walk about enchanted, in ecstasy, like the gods you saw dancing in your dreams. Freedom, terrible terrible freedom.

How anyone thought this was a good idea is beyond me. This is, truly, not D&D but a storyteller game. Not a story game. In those you have some control. This is a storyTELLER game. Your agency is near 0. The closest thing to a videogame I’ve seen, the endings may be different, at some point. But the cut scenes are meaningless. Just die and be reborn.

NPC’s get full page descriptions. Paragraphs on how they react at all three friendliness levels. Encounters for third level characters are CR 8 through CR12. Paragraphs of read aloud at every opportunity. The inn serving wenches are all 16-20 year old whores.

The first encounter is chapter one and takes up most of the first quarter of the book. Every NPC extremely detailed. Everything with a background. Names and ages. All to facilitate a forced on flashback. (DC 20 WIS save. If anyone one party member fails it then they all have the flashback.) If someone dies in this first encounter then a noble will step in and heal them. You will not deviate from the railroad.

How much of a railroad? There IS a correct way to complete the adventure. Kill someone? No xp. Convince the noble of your cause? Get 25xp. The designer has determined the correct course of action and you will follow it and only be rewarded at most if you do.

The maps are illegible. You can’t read the numbers or lettering on them. This, the most basic of functionality you need to provide to the DM. The ultimate reference page. Illegible. And this then is the mortal sin of this adventure: it ignores the DM. It doesn’t understand that rule 0, the reason for its existence, is to help the DM to run it at the table. The map is illegible. The text is SO overloaded with verbosity, everything with backstory, everything overly described, that there is no way on earth a DM can use it easily. Multiple readings. Notes. highlighter . Put in your own cross-references to other areas. Invest an absurd amount of work. Everything is so overly detailed that its all meaningless. Who the fuck cares about the tavern wenches or the soldiers? I mean, sure, a few words to give them some personality, three, four, but paragraph upon paragraph? Ages? The names of the soldiers dogs? Seriously? Why not also the names of their mothers, in case it comes up?

At one point it notes a road and mentions several times how hard it would be to get a wagon up it. Uh. Ok. Why? What’s with the wagon? Is that important? At another it offers that “if the party does not accept the trail through the maggot carpet …” uh … what offered trail? Was that mentioned?

If your still with me then your ears picked up at the maggot carpet thing. What’s so fucking bad about this adventure is that there is some good stuff hiding inside. A carpet of maggots and the bones of small creatures, writhing. Nice imagery! The fucking read-aloud is too long, but, still that good stuff! And all of the flashback memories are listed on one table, with triggers and what they impact. Great reference material! The wilderness section of the adventure has varied and interesting encounters, a little combat heavy, but still, leeches and crocs in a swamp, a dull blue glow from under the water if you detect magic …!  that’s great! Hidden treasure. At one point you can reach an overlook in the wilderness and the text summarizes what you can see. Perfect! So many adventures leave out “what I can see from a distance or upon approach.”

But the text, It’s a nightmare. Here’s one small snippet from one object in one room: “The desk does not have anything on it. This desk was used by Humbert, the tower guard as a station for when Silas was in the tower. He sat there, preventing visitors from entering the tower unannounced and providing security should someone try to break into the tower. After the last battle in the Barony, Humbert took everything that was his in the tower and left. He traveled to the Viscounty of Kandra where he died there, like many Wailmoor survivors.”

Note how NOTHING in this text applies to the adventure. Nothing. It’s so closely related to my platonic Dungeon Magazine “looted trophy room” description that it could BE the new platonic idea of bad adventure writing. What the fuck is the point? And it does this over and over and over again. Everything. Everything and Everyone. Mountains of backstory and motivations and details. More than any other adventure I’ve reviewed, it hides the adventure. More is not more, not when it gets in the way and obfuscates the adventure for the DM running it.  This is the writing of a wannabe novelist, not the technical writing of an adventure designer. You’re not writing to paint a rich picture of the world in all its glory. You’re writing for a DM running the thing at the table. Even if we accept the bullshit storytell play style, robbing the players of their agency, even if we accept that, the criticisms stand. It’s unusable without a hard core effort at note taking and highlighting that, essentially, negates the purpose of the text you’ve bought. We’re not supposed to be paying for the fucking backstory.

This nightmare PDF is 20 fucking dollars on DriveThru. 20. Fucking. Dollars. The preview is eleven pages long. Go ahead and read it. Read it all. It is COMPLETELY meaningless. It’s an example of the rich and detailed backstory for the village the PC’s start in. That plays such a small part in the adventure. It’s insanity. Utter insanity.


https://www.drivethrurpg.com/product/270071/Curse-of-the-Lost-Memories-5E?1892600

Categories: Tabletop Gaming Blogs

Goodman Games Original Adventures Reincarnated line: Expedition to the Barrier Peaks & The Use of Mega Dungeons In Old School Campaigns

Swords & Stitchery - Fri, 05/10/2019 - 17:05
So I've been doing a lot of research & thinking now that Goodman Games has announced Original Adventures Reincarnated line: Expedition to the Barrier Peaks next. And the announcement has me  thinking about my 2100 alternative World War I game. What would happen if a star ship crashed into a technologically sophisticated world someplace in Europe? What would this mean to a  Victorious/ Needleshttp://www.blogger.com/profile/11243274667834930867noreply@blogger.com0
Categories: Tabletop Gaming Blogs

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